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Flash concert In the world, today music is becoming the new trend. Music interests and fascinates everybody; whether the young or the old during their daily lives. Music is evolving and musicians are introducing different ways of performing in concerts. Musicians feel the need to hold flash concerts to introduce themselves in the music world; however, other musicians perform flash concerts out of mischief (Tom 34). Flash concert involve live performance. It also involves recording the performance with the different movements by people and changing lights. Flash concerts receive high attendance due to its interesting nature.
Flash concerts could be performed anywhere; bus tunnels, the streets, marketplaces, shopping centers or in open fields. However, flash concerts require much more preparation and attention than other concerts. The artists play the music of their interest and gradually surprise the audience with the calligraphy. A good example of a flash concert is the Berklee Flash Concert held by students from Berklee School of music. It surprised many by their unannounced concert. There were over fifty musicians who performed in the museum of fine arts. They started the gig 1 in the middle of the museum suddenly and caught the audience unaware of the event. The audience got amused by the performance of a classic Christmas song ‘O Holy Night’. The flash concert received a positive response from the onlookers who enjoyed the performance.
The NRP story concerning flash concerts indicates the various reasons unto why musicians conduct flash concerts. Apart from the reasons stated above, other reasons include the need to introduce classic music to the publics who would have no other way of learning about it; others promote formal performance (Tom 134). Some artists do not do it to gain any profit but for the mere fun of it. In conclusion, despite the artists who use flash concerts for mischief, they can be fun to watch and promote young talent.
Looker, Tom. The sound and the story: NPR and the art of radio. Boston: Houghton Mifflin, 1995.